Natural light can transform your newborn photography, adding softness, warmth, and an authentic touch that aligns beautifully with a minimalist, connection-focused style. In this post, we’ll explore how to find, shape, and maximise natural light in your sessions – whether you shoot in a home, studio, or lifestyle location.
Why Natural Light Works So Well for Newborns
Softness suits delicate skin: Natural light (especially diffused window light) is gentle, creating a flattering effect on newborn skin without exaggerating redness or texture.
Natural light creates an organic feel: It complements the emotional tone of newborn and family imagery, helping you capture real, intimate moments.
It simplifies your setup: You can focus on baby and connection, not gear, making your sessions feel calmer and more intuitive. This is especially helpful when parents or siblings are involved. In my experience, lighting set ups are a source of distraction for many toddlers and siblings during newborn session, and the flash of artificial studio lights can cause a startle in many young children.
Finding the Best Natural Light in Any Space
Use large windows: North- or south-facing windows (depending on your hemisphere) usually offer consistent, even light. Look for windows without direct sun to avoid harsh shadows. I am based in Sydney, Australia and my studio has large north-facing floor to ceiling windows. They offer beautiful lighting all year round.
Position baby with care: Place the baby at a 45° angle to the light source for soft shadows and beautiful depth. Don’t be afraid to shoot from the shadows, to move your set up around to play with different amounts of shadow and work out what suits your style best. Sometimes breaking the rules leads to the best results.
Test different rooms: If you’re shooting in-home sessions, walk around and test each space using your hand to assess the quality and direction of light, so that you can find the light that works best for your style of photography.
Shaping and Controlling Natural Light
Sheer curtains are your best friend: They diffuse harsh light, reduce contrast, and soften shadows. For windows with direct sunlight (like I have in my north-facing Sydney studio) using a fabric like ripstop behind your sheers can help even out the direct light through the sheers and break down any colour casts from close by foliage outside. Ripstop can be purchased from Spotlight here in Australia and helps me get beautiful consistent light all day in my studio.
Use reflectors or white boards: Place these opposite your light source to bounce light back onto the subject and fill shadows naturally. I rarely have to use reflectors in my studio because the walls are all white and the large floor to ceiling windows allow plenty of light in. I have used them though on very cloudy or overcast days to bring a little more light into my subjects eyes or onto their faces.
Turn off artificial lights: Overhead lights or lamps often introduce warm or green colour casts that clash with natural tones.
Timing Matters: Best Times of Day to Shoot
Morning light (8–11 am): Often the most consistent and gentle light of the day—ideal for newborns who tend to be more settled earlier. Although I can continue to shoot in my studio space into the afternoon, I find the light most flattering and consistent in the mornings.
Golden hour (early morning and late afternoon) for outdoor sessions: Beautiful for outdoor family sessions, giving a halo of golden light behind your subjects. I do not shoot outdoors outside of golden hour – and don’t forget there are 2 golden hours every day – sunrise and sunset!
Avoid midday light: Harsh overhead sun can create deep shadows and contrast that’s hard to soften without modifiers. If shooting inside this is when your sheers, ripstop or reflectors will come in handy.
Troubleshooting Common Light Challenges
It’s too bright: Move your subject further from the window, diffuse the light with fabric such as ripstop (available from Spotlight in Australia), and use sheer curtains. If it is still too bright, bring down your ISO, and increase your shutter speed.
It’s too dark: Increase your ISO, use a reflector, or adjust your positioning to bring baby closer to the light. I prefer increasing my ISO and introducing a little bit of grain and noise then having to move to artificial lights.
There are colour casts: Watch for coloured walls, furniture, or window coverings that bounce unwanted tones onto baby’s skin. Even foliage that is close to the windows can cause a colour cast. Use neutral surroundings when possible, and neutralising colour casts coming from outside can be done using ripstop and sheers over your windows.
Pro Tips from Experience
Set up your beanbag or posing area in the same spot in your studio each time for consistency.
Try backlighting for dreamy, ethereal shots—but make sure to expose for the baby’s skin, not the bright window.
Shoot in RAW so you can fine-tune exposure and white balance in post-processing.
Setting a custom white balance will take your natural light studio photography to the next level and make your post-processing so much easier.
Final Thoughts
Mastering natural light is one of the most powerful ways to elevate your newborn photography. It doesn’t require expensive gear—just a good eye, thoughtful positioning, and a little practice. With time, it becomes second nature and allows you to focus on what truly matters: capturing meaningful, emotive moments for your clients. It also means that you can shoot anywhere, adapting to the light that is available to you.